In the end these detours gave her the chance to step back and explore what parts of music were important to protect. It's for all the women warriors that have been battling throughout life looking for a place to express themselves that feels inclusive and inspiring. It's about finding yourself when no one is paying attention and inventing a new way of creating that feels honest and sincere. I truly feel that women, especially as we get older are underrepresented.
That was truly the driving force to creating this album. Dancefloor arpeggios, haunting gothic vocals and synth-pop throbs burst into a soaring jazzy breakdown. The album continues in much the same way, always astounding but rarely disjointed, this is the sound of a band on their finest form. Some world tours feel like a victory lap. By the tail end of , The Sherlocks begged to be allowed back into the studio. We wanted to capture the live sound and polish it up a bit.
It sounds more contemporary, I can hear it on Radio 1. Brilliantly played, and undoubtedly upbeat anthems all round. It is the culmination of their pas- sion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural. From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic reso- nator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari — all sculpted through a collection of effects pedals, notably from Earthquaker Devices.
The singular Theremin work of Samuel J. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre. Jovial and reflective moods ensued and were put to tape by Stoltz in his Electric Duck Studios at home in San Francisco. The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home.
A classic record for this or any other time. Sixties psych has also woven its way into these new songs. Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album "Mass". While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them.
James Church with the children of the St. James Music Academy. Mirroring the magnetic energy of New Orleans, "MASS" is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. STAFF COMMENTS Matt says: Pulling your heartstrings in all manner of directions, this bouquet of soulful flavours and varied styles has one coherant theme running throughout - a total grasp of what modern, tastefull pop music should entail and incite.
The band truly represents the best of multi-cultural London, the members having a mix of Caribbean, French, Japanese and Spanish heritage. People of all ages, colours and trends were dancing together!
The networks were then algorithmically generated based on their connectivity index using the built-in IPA algorithm. Liver function and hepatocellular integrity should be assessed in patients taking MMI or PTU who experience pruritic rash, jaundice, light-colored stool or dark urine, joint pain, abdominal pain or bloating, anorexia, nausea, or fatigue. Similarly, S protein signatures carried or induced by exosomes could be useful as biomarkers Bresnick et al. It is best to practice tuning and re-tuning on old harmonicas at first, since it is easy to make damaging mistakes when you first start learning to tune. Initially invited by Theuns to compose music for a joint performance, the experience inspired and invigorated the trio to return to the studio for a new Efterklang album proper. Comments 77 Share what you think. In a patient with a symmetrically enlarged thyroid, recent onset of orbitopathy, and moderate to severe hyperthyroidism, the diagnosis of GD is likely and further evaluation of hyperthyroidism causation is unnecessary.
As a DJ, his musical selections still live large in the memories of those who experienced them. Deftly mixing contemporary sounds with trusted bullets that his s audiences will remember well, these tracks are vibrant and potent, with a couple of fiery live recordings thrown in for extra energy and sweat. Nico, Papa Wemba - and all feature here in their ground-breaking early groups such as O. These images are reproduced in collaboration with Revue Noire in France. One off only pressing. OBI strip with Dinked logo.
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Stars Are the Light, the luminous seventh album by the American psych explorers Moon Duo, marks a progression into significantly new territory. Branching out from Occult Architecture Vol. These are songs about embodied human experience — love, change, misunderstanding, internal struggle, joy, misery, alienation, discord, harmony, celebration — rendered as a kind of dance of the self, both in relation to other selves and to the eternal dance of the cosmos.
Disco is dance music, first and foremost, and we were digging our way into the idea of this endless dance of bodies in nature. We were also very inspired by the space and community of a disco — a space of free self-expression through dance, fashion, and mode of being; where everyone was welcome, diversity was celebrated, and identity could be fluid; where the life force that animates each of us differently could flower. Coloured LP Info: Indies only opaque red coloured vinyl.
The recordings on Oneness date from Jan, March and September and were born from a period of experimentation as Halsall first began to explore the music that would provide the inspiration for his spiritual jazz recordings Fletcher Moss Park and When the World Was One. They also offer an intriguing snapshot into the birth of Halsall's Gondwana Orchestra and feature many musicians who would go on to become a key part of Halsall's musical journey, such as harpist Rachel Gladwin, bassist Gavin Barras and saxophonist Nat Birchall. The recordings sat in the Gondwana Records vaults for over a decade before Halsall felt it was the right time to share them.
Asked about the recordings Halsall says: "I've always treasured these recordings and loved how vulnerable, open and free they are, but I just felt they were too subtle and sensitive to release early on in my career, so I held them back until now. I also feel now is the right time to release these before I begin a fresh journey with a new bunch of musicians. The sessions that make up Oneness capture Halsall in the process of building a new band, reaching out to various musicians he'd discovered and admired on the Manchester, Liverpool and Leeds music scene.
The album's title, Oneness, speaks to both Halsall's conviction that the planet should be shared equally with all of its inhabitants. That no human being or other inhabitant deserves to exist more than the other and that we can achieve far more together than against each other. And also importantly to what Halsall was aiming for musically: "I really believe in Oneness and I've always loved the term 'greater than the sum of its parts'.
I could make music on my own and live a fairly isolated antisocial life, but there's something far more rewarding about creating things with others. And for me these sessions document the coming together of lots of different musicians in a wonderfully organic soulful way to make egoless music". It's a belief that continues to underpin Matthew's music making and a message that the word sorely needs right now as we feel more divided and separated than ever.
This then is Oneness, a decade in the making and well worth the wait.
The Talkies vacillates between being big, ambient, and atmospheric to suddenly terribly intimate and up close. The Talkies is living, breathing, in a continual state of metamorphosis. It encompasses everything there is to love about Girl Band while simultaneously causing an exciting level of discomfort. Album closes to steady breathing. Automatic Signal Stones Throw. Cat Number Release date 27 Sep ' Sheffield-based experimental stalwarts 65daysofstatic release their anticipated, expansive new album replicr, via Superball Music.
This immersive album highlights a continuation from previous releases and a constant evolution which has been evident since their formation. This crash course in algorithmic music led to the band building their own procedural musical systems and generative soundscapes, crafting custom synths, live coding and writing software to make music for and against them.
From the eventual smouldering wreckage of their broken software systems and entropic algorithms, the band realised their next record needed to be the opposite. An album born from the debris, but stripped down to its most focussed, intentional form. Forty two minutes of dread.
A record that stares head on into the abyssal futures of late capitalism and refuses to blink. A melancholic, tireless soundtrack of acceleration. A feeling of frayed-nerved, time-smudged, light-speed drifting through cities built upon cities.
Neon seen through rain-riddled windowpanes. It wastes no time because there is no time left to waste.
It is a soothing mix of real musicianship, laid back funk, soul and jazz stylings that wash over you, fill your heart with warmth and take you to a faraway beach where all your worries melt into the ether. This new album features six brand new cuts as well as six of his favourites that have previously been put out Really Swing, and is a fantastic showcase of his sound, with two of the tracks already getting big support from Italian ensemble out.
Gentle groove undulations and refrained vocal euphoria define opener Got Your Love, while fat bass twangs and nodding keys light up the jazzy-soul-funk fusion that is Martinica Feelings. Things get even more horizontal and romantic on The Zoist, with its steamy female coos and delicate keys, and North Hollywood Witches is a glorious bit of slow motion boogie with squelching bass and effervescing keys.
Elsewhere there are the lazy tumbles of Non Dire Notte, which is awash with acid gurgles, while glistening dreamscapes like Citto Di Mare shuffle on lush live drums and new age melodies. There are hippie vibes on Luzhin Defence which evokes sun beams breaking through the clouds, then Chiaia Sunset will melt your heart with its diffuse keys and rippling rhythms and ambient closer Bava casts you adrift into the clouds. With many other gems along the way, this is a near perfect album that will temporarily rid you of whatever problems you may have.
Breezy, melodic and ambient in parts, this LP ensures you can keep a little sunshine with you at all times. Amazingly, no announcement was made that the iconic Coltrane was adding new performances to this film.
For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard. Now, with the release of Blue World, we can hear these newly-discovered recordings for the first time. Whilst touring during in support of Broken Stay Open Sky, their 4th album, Red River Dialect uncovered a new depth of communication in their playing, and the follow-up bears the fruit.
www.crossbaymedia.com/wp-content/legendary/elementary-school-confidential-a-parents-guide.php Abundance Welcoming Ghosts finds the British folk-rock band relaxing into a natural, playful confidence. By the time the band reached the studios, the imminent hiatus lent a poignant and celebratory atmosphere to the sessions. The compositions had not been fully formed prior to recording, but any pressure was transmuted into invigoration, resulting in the jubilant energy that adorns even the most turbulent songs. This expansiveness bears testament to the skill of long-term collaborator and guide Jimmy Robertson Michael Chapman , who engineered and mixed the songs.
There are familiar questions about allegiances to caution and pensiveness, but the songs edge ever closer to abandoning restraints, including the desire to achieve coherence in meaning as some form of salvation. Build Bridges combines stellar musicianship with unlimited drive and lag proof swing-ability. You can hear the maturity of their sound, which inadvertently allows you to appreciate their previous recordings even more.
They're all in the same ballpark yet seem to be on a completely different playing field. Tim Felten's lineup not only shows his keen ability to pick top choice artists, but also shows his sense of direction and investment to high quality musicians. Heavy grooves and drums, with top tier musicianship and writing. Build Bridges is just as sophisticated as it is soulful and funky!
Coming hot on the heels of last year's acclaimed electronic soul release "fleet. The nuanced artist now calls Detroit home, and the latest work evokes the spirit of the region's deep musical history. It's a little later in the night, still soulful, but the palette has shifted. The result is an mini-album that sparkles.